中国经典画论识别及其儒家思想探究 postprint

Abstract: ［Purpose/Significance］ Classical painting theories and the ideas theycontain play a dominant role in the development of Chinese painting, and It is an important issue in the study of the history of painting to identify the classical nature of these chinese painting theories across dynasties and to analyze their thinking orientations.［Method/Process］ We use the method of text reuse and the LSI model to identify the citation relationship between chinese painting theories across dynasties,the citation network is constructed according to the order of dynasties, the classical painting theories are identified with the help of the node strength, between centrality, closeness centrality, authority and hub, and the influence of confucianism in the citations of the classical painting theories on the history of paintings is analyzed.［Result/Conclusion］Su Shi’s “Dongpo on painting”, Guo Xi’s “The Lofty Message of Forests and Streams”, Guo Ruoxu’s “Record of Experiences in Painting”, Zhang Yanyuan’s “History of Famous Paintings across Dynasties” are in the significant position in the citation network and are ranked as classical painting theories. These classical painting theories and their quoted statements are rich in confucianism, reflecting the profound influence of confucian ideology on ancient chinese painting thought.